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Ariana-Sophia Kartsonis’s work has appeared or is forthcoming
in Another Chicago Magazine, Denver Quarterly, Crab Orchard Review, Optic, Third
Coast and elsewhere.
Caddis Flies in Two Lessons
a rant against being
left behind while you flit through Spain
1. Most caddis larvae surround themselves with a protective case, made
from various materials from their surroundings fastened together with a sticky
silk-like secretion produced from a gland near the mouth. Each species uses its
own particular materials – grains of sand, plant fragments and even empty snail
shells – and builds its case to a specific design. It is often possible to
identify a species simply from its case. The sand grains or other materials are
frequently cemented together very neatly to form a mosaic.
A weather
report:
The rain in
Spain falls mainly on the plains
Here plain
girls in print dresses drink rain
from an
unspained distillery
2. Moth-like insects, with two pairs of membranous wings
densely covered with tiny hairs and held roof-wise over the body at rest. All
are fairly weak flyers and the females
of a few species are wingless. Most are dull brownish or greyish insects,
flying at dusk.
Flightless girls find ways to flee.
Postcards land in the mailbox I painted cool mint green:
The color of your favorite ice-cream
(The color of your heart it seems).
They say Lovely here, but missing you.
They say Every bright broken thing resounds with you.
Or maybe simply Wish
I’d invited you.
A drop of honey to each corner then I press
each postcard to my flesh.
I am a Spanish panorama,
a caddis fly of fifty-cent sentiment.
I am encased.
Spanish fly – See
anti-aphrodesiac. See Senorita Abandoned.
Barcelona postcard: If ever a city was your city…color upon
color
Where you are the fountains spurt a collage of gawdy
puzzles.
Here I am a birdbath of spite.
A decoupage of longing.
A nude puzzle mostly undone.
If I could, I’d ask a passing caddis fly
whether
those gorgeous shards ever cut
the bodies
they’re meant to armor.
Limbo
1. I’m here
to say it can be a holding place for years
A halfway
house for love and worn-out.
A
microscopic erosion eros broken down
to its
elemental grind
and grinding
down.
Root word
for desire and distribute.
God of
love, a cupid strike which starts that erogation
one
arrow-tip bit of flesh at a time.
Arouse to stir
Erose one bite mark
shaped like
a bitter moon.
2. Be it
Catholic waiting room
or back
bend under bamboo pole
held
waist-high like a jumprope between two people
then lower
and lower
and lower
3. Someone
will say love and then hold you under
pressure
underwater
for years and years
Saying he
wants to make sure you have a drink.
Saying she
wants to see you swim.
4. I mean
the body is a gothic arch, a wishbone held at that angle
so sharp it
has to snap.
5. The
broken beak of a living bird
more
painful than quick-bitten nails
their raw
luna-beds.
6. A ghost
rises on the stairs like
a bathtowel moon, apparition of cheap light
& terrycloth
hovers
there a shiver
& then
falls to the unswept floor.
7. I mean,
the broken beak of a bird that has to go on.
The snag
and the ache and hurts to take in
what you
need just to fill you.
Sidereal Time
And
when he shall die, take him out the ballgame
and
bat around a little eternity with his wooden leg.
Cut
him out in little stars and sew them
on
the majorette’s epaulets, let him (just this once)
serve
himself up like a galaxy.
He
will make the face that says icky
so
tell him Heaven-so-fine go fetch me some
soap
and
he will because he loves when we call him
anything
that sounds a little infinite. All the world
loves
a sorry knight. He’s a simile
for
nothing. Pay no worship
to
the garish one. He’s a soluble prince in a lather
of
time. He’s the plan
with
the built-in roaming fee.
Don’t
expect him to come through
the
bad weathers. Don’t ask him to
do
anything that rhymes with shower or glove.
Accept
the things he’s best at doing instead:
salting
fields, playing dead

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