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Issues

25 Winter - Spring 2008>>

I think of this greenhouse as both a nursery for the flora we use in our dioramas and a Petri dish for ... Unlock the notebook: torn hearts narrate on and on.

24 Winter 2007>>

Arrest. Error. Heir. My home-twenty? My domain? My mine? … A frigid light spreads in the windless land

23 Summer - Fall 2006>>

If I wasn't suicidal … Even Cerberus, that envious one, drinks and goes to sleep

22 Fall - Spring 2006>>

It gets late early now … into air, into steam and passing by

21 Fall - Summer 2005>>

What I liked about Marlin Perkins was his avuncular gentleness even as he subdued a hippo with a tranquilizer gun … but never taking

20 Spring - Summer 2004>>

the sheep disappear … night heaves. Speaking of

19 Fall - Spring 2004>>

American Sign Language Issue

18 Summer 2003>>

Expletive! … in reality, it is always rape

17 Winter - Spring 2003>>

First it says, “Go this way” … The universe is crushing. Rhinoceros, break it

16 Fall - Winter 2002>>

eloping in North Dakota...

15 Spring - Summer 2002>>

in southern France...

14 Winter - Spring 2002>>

lost to the ether ...

13 November - December 2001>>

It blazed so starkly what else could it be … in the old sound-hole of a singing star

11-12 July - October 2001>>

the swollen flotsam … in the sun, its colour is a black that binds

10 May - June 2001>>

On analysis, even roses aren’t what you supposed … Making them look as if they may begin screaming

9 March - April 2001>>

nine days without names, drawing breath … doping doing all through the grape night

8 January - February 2001>>

In Mr. Theophilus’s jail … your crab cancer implacable smile

7 November - December 2000>>

like recurrence, the tidal marks of a sea … the sun not shining except at night, by proxy, from the other side

6 September - October 2000>>

Here, my pretty, lay … but it should, shouldn't it?

5 July - August 2000>>

as solo is to death so one is to plural (fictions' … comfort are heraldic and the moths meld

4 May - June 2000>>

"am seen & do not see" – skies … To lavish attention on what wakes up, too?

3 March - April 2000>>

There's a nostalgia principle deep at work here … Quick, look up - it's floating by

2 January - February 2000>>

A poem is an unscrewed roof-rack and untranslatable … by bluedelicate wing

1 November - December 1999>>

a scar of red granite cuts across the landscape … she said he was shining

Submission Info

We are invested in you as poets and as people, but we do not care about your credentials, and neither do your poems. Please do not include a bio. Your poems should be the events through which we come to know you.

Submissions are read anonymously by the editors. All identifying marks are stripped from the poems prior to their being read.

Send us as few or as many poems as you find necessary. We would rather read one significant poem than five poems illustrating a passing or partial commitment to the form, or to life. Send us the poem you feel most strongly about—i.e. your NEXT poem.

Poems should either enhance the conversation that already exists, or start a new one. They should become conversation. Make us reassess our understanding of the contemporary.

We believe in pure encounter. Reading past issues of Slope will not give you any particular sense of what we are going to publish next.

If your poem is accepted elsewhere, please let us know, so we may find it and read it. Just because a poem is accepted by another journal, does not mean that we do not still want to be a part of its life.

Submit only during the month of September to: slope.editors@gmail.com. Include the word "SUBMISSION" in the subject line. The only contact information that we require is your email address—additional information will be requested upon acceptance of your work.

Future issues of Slope may include critical, audio, video and visual work. If you want to propose a particular project, please query the editors at: slope.editors@gmail.com. Please include the word "INQUIRY" in the subject line.

Masthead

Editors: Lucas Farrell, Greg Hill Jr., & Brandon Shimoda

Designer: Patrick Vaillancourt

Advisory Board: Linh Dinh, Matthew Kaler, Youna Kwak

Founding Editor: Ethan Paquin