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New Poetry with Audio!
Donald Revell Criticism
Brian Henry on Kinsella |
![]() Dominique Hecq is a Belgian-born writer
now living in Melbourne. Painting was initially a means of overcoming writer’s
block, but is has now become vital to her work. There is an abstract gestural
poetry about her paintings that is hardly surprising given the interaction
between the two media in her work. Her books include The Book of Elsa, Mythfits,
Magic & Other Stories, The Gaze of Silence and with Russell
Grigg and Craig Smith, Female Sexuality: The Early Psychoanalytic Controversies.
She is also the author of One Eye Too Many and Cakes and Pains, two
short plays. Good Grief & Other Poems is her most recent collection.
Noisy Blood is forthcoming. No HandsFingers
feel beneath crisp sheets. She waits– in
awe of ramshackle architecture, fleshes
out the curve of his desire. Watches to
see how it takes hold of him. Where it surges
from. What night. What unnameable nothing.
His hunger moves over her body like
hands. She throws herself in. Catch-as-catch
can; fight, bite, scratch– he
latches on her breast. Sucks and licks. They
kiss. Rock. Hold. Surrender– He
says their child will be patted and prodded with
affectionate indifference. She says it’s
pure wish-fulfilment on his part. He
laughs says he’s thinking of two cockroaches
impaled on a stick. She laughs, thinks
of winter comfort. The first camellias. Last
mulberries. The endless feast of being fat
with child. The pointed forgetting of
the end. The fears, agonizing and renascent. And
when he comes, she forgets it has nothing to
do with her. Hands fall on crumpled sheets. MattingThe
cool night takes all its clothes off &
on our uncropped lawn, shows off. I
shed all the things undreamed on
the blades of shadows unsung &
I listen. The
day breaks into
a ball of sounds that roll &
knock you over. I
lie on a mat of letters like
runners bristling up – with
offshoots bearing my body down. A
blade for a tongue I
recoil &
cool, make a note for
the dreaming of the night. ![]() |
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