ÿþ<html> <head> <meta http-equiv=content-type content="text/html; charset=iso-8859-1"> <title>slope 16</title> <style type="text/css"> p,td { font-family: "georgia", "arial", "helvetica"; text-decoration:none; font-size:11px; color:#000000; margin-top:9px; margin-bottom:9px;} p.poem { font-family: "georgia", "arial", "helvetica"; text-decoration:none; font-size:11px; color:#000000; margin-top:40px; margin-bottom:60px;} a { font-family: "georgia", "arial", "helvetica"; text-decoration:none; font-size:11px; color:#77280a; } a:hover { font-family: "georgia", "arial", "helvetica"; text-decoration:underline; font-size:11px; color:#77280a; } </style> </head> <body bgcolor="#ffffff" background="images/bg.gif" topmargin="0" leftmargin="0" marginwidth="0" marginheight="0"> <table border="0" width="750" cellspacing="0" cellpadding="0" align="center"> <tr> <td> <object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=4,0,0,0" width="750" height="127" id="topmenu" align=""> <param name=movie value="topmenu.swf"> <param name=quality value=high> <param name=bgcolor value=#ffffff> <embed src="topmenu.swf" quality=high bgcolor=#ffffff width="750" height="127" name="topmenu" align="" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"></embed> </object> </td> </tr> <tr> <td> <img src="images/page_top.gif" /><br /> </td> </tr> <tr> <td background="images/page_bg.gif" style="padding-top: 0px; padding-left: 50px; padding-right: 50px;"> <img src="images/title_new.gif" /> <p><b>Joshua Bell</b> has recently published poems in <i>Boston Review, Iowa Review</i> and <i>Poetry Daily</i>.</p> <p class="poem"> <b>Cyborg</b><br /> <br /> Ramona your only eyes<br /> are river-traffic, are fast<br /> and fish-tailing milk,<br /> are troublesome<br /> <br /> devices, are difficult<br /> to mimic, but I will design<br /> others like them, I have come<br /> across the parking lot<br /> <br /> to tell you this. The world<br /> is dark with invention<br /> and I have mastered<br /> the variable machinery<br /> <br /> which moves your only<br /> mouth, I have mastered<br /> the root-path and shad-blue<br /> veins of your hands,<br /> <br /> I have lingered awhile<br /> considering<br /> the format of your spine.<br /> I can reproduce you. I know<br /> <br /> the river thought so<br /> too, looping out<br /> your living name<br /> across Kentucky,<br /> <br /> the foothills blotched<br /> with Orphic vowels<br /> and the consonants sticking<br /> like trees from the river-<br /> <br /> bed. All the pilgrims<br /> of Kentucky came<br /> to drink it, it was a name<br /> suited for such<br /> <br /> communicable<br /> purposes, the flood-water<br /> contrail of your R<br /> slowing through the flats<br /> <br /> of Georgia, picking up<br /> an open red and trailing off<br /> in salt. Like the river<br /> I have worried over each<br /> <br /> your every fingernail<br /> but I have taken clippings<br /> and you will grow for me<br /> marketable, many-handed, green-<br /> <br /> headed, whole and well<br /> in the flower, and such<br /> is my love that I will sell you<br /> I will mark you up<br /> <br /> and down and then<br /> the river will be nothing<br /> but an empty fist<br /> and even that is not<br /> <br /> enough, so I have had<br /> to invent the river<br /> who has never<br /> known you. I had nothing<br /> <br /> to go on. No model<br /> to guide me. I am<br /> a genius. I'll need<br /> to burn you ten<br /> <br /> more times. Twenty<br /> more hands, please, ten<br /> more mouths, your<br /> hair dispatched, sub-<br /> <br /> marine-like and prohibitive<br /> through the gears<br /> of axis, and you<br /> have gotten into<br /> <br /> everything, the cupboards,<br /> the insides<br /> of rocks, the water-<br /> table, the compass<br /> <br /> pulses slightly when<br /> I read the sentences<br /> you left behind<br /> in books, the tree-top<br /> <br /> Ts and Ls flat-<br /> lining into<br /> your anonymous<br /> lower cases you always<br /> <br /> helped me feel so<br /> sick, so poor I cannot<br /> wrangle with you in<br /> my sleep, I cannot<br /> <br /> spell <i>heartache</i> with<br /> so much trouble in<br /> the world or was it with<br /> your church shoes<br /> <br /> in my hand? But you<br /> don't have a choice<br /> you are coming back<br /> regardless; there is<br /> <br /> so much for you<br /> to do. Penance. Time.<br /> I've revised the blueprints.<br /> I've sold the space<br /> <br /> on the inside of your<br /> left arm. I have registered<br /> your coenesthesis  I<br /> can't imagine that<br /> <br /> your eyes will weigh<br /> too much  and I am sorry,<br /> love, that my science<br /> will not fail me.<br /> </p> <p class="poem"> <b>War Poem</b><br /> <br /> My platoon is all gung-ho<br /> about defilading and amassing,<br /> about Bob Hope and Sun Tzu,<br /> and yet we never met a rat-fuck wog<br /> we didn t like. Right now they re creeping<br /> toward us, through the mist,<br /> like pilgrims. Often we are tearful<br /> <br /> when we deliver them<br /> with our incredible weaponry,<br /> and when they cry it sounds<br /> like chandeliers, crashing through<br /> the trees. We re at the fingertips<br /> of so much force; it makes us<br /> feel like singing. They have<br /> <br /> such trees here! With their bark<br /> peeled back, naked, they look<br /> like sunbathers, cooking<br /> in the heat. They would make<br /> lovely fenceposts. Of course<br /> I m also talking about the enemy,<br /> with their upturned faces and<br /> <br /> the creaky, handmade bandoliers<br /> which do not match their boots.<br /> Because I notice such things<br /> I ve often thought I should ve been<br /> a priest, and my sister says that I<br /> am too soft to be a soldier, that I<br /> am capable of making love with harlots<br /> <br /> on the flag. True, I enlisted for<br /> the hair-cut, but I was simple, my body<br /> accounted for, and when at last<br /> I killed them in the trees and heard<br /> their language, I was no longer afraid<br /> since each word could mean anything,<br /> could exit bigger than it entered me<br /> and blossom out like milk.<br /> </p> <p class="poem"> <b>Sheriff, You Forgot Yer Hat</b><br /> <br /> Miss Claire, I can't sleep, I shot<br /> too many Indians. I shot and shot<br /> but they wouldn't fall down. Such as it was<br /> I reached for the sky. I selected<br /> my cactus of the hour. I recollected<br /> fanciful things. Late frost last year<br /> I watched you pull your long-johns<br /> stiff and frozen off the clothesline<br /> like a flag. Did I remove my hat?<br /> There are whole days I'm ashamed of,<br /> and riding no-handed through the saloon<br /> I often think of them. Soon I ll write<br /> a letter to you, describing all of this.<br /> When I reach for my pencil, it will be there.<br /> </p> <p class="poem"> <b>Zombie Sunday (the dear reader version)</b><br /> <br /> Gentle handed holy father, or whomever,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;must we both stay as far and beautiful<br /> as we are tonight? You are the land<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;and now it looks as if I m going to land<br /> somewhere in the ocean off you.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Lately, I miss the orchestrated<br /> feasibilities of earth. Down there<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;(call it Nebraska) they read from left<br /> to right, like <i>Hamlet</i>, and even the tires<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;smell like spikenard, so maybe<br /> I ll make it, partially Germanic, weightless<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;above the plains, reconfiguring<br /> my window, zeroing in on the whatsit.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Like the astronaut I am always<br /> of two minds about re-entry, but you are not<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;coming for me, there are no rescue<br /> helicopters, no more sins beyond fruit<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;and Gott in <i>himmel</i>-zee decolletage,<br /> and I hear you whispering, just off screen,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;like a silent film director, feeding<br /> your scale-wage children the expressions<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;guaranteed to make me flinch.<br /> Zee world is lousy with zee extras.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Zey are so shapeless, like zee bear.<br /> It is so difficult, GHHF, to reconcile the stars<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;with my day to day ebullience.<br /> Perpend: I puked mint julep<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;on the badminton court.<br /> Apparently, I contain universes,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;these ill-born, constellatory pin-points<br /> thusly supernovaed into grass.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I saw you reaching for your high-lighter<br /> like a samurai. Like a samurai<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I ve got something for you<br /> to explicate. What further strings<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;must I pull to force you<br /> to blast me from the local ether?<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;You aren t good for me,<br /> and still, I have redistributed<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;myself, according to the charts:<br /> A) For Lent, I bollixed up my homeostasis.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2) For you I blethered numinous<br /> through reeds beneath a soft-core moon,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;me vaselined for the channel swim<br /> (thank you) and footnoting beetle-trails<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;with penmanship only a father could love.<br /> C) I will re-enter the natural world.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;D) The world needs more light;<br /> your atmosphere is thick,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;is gloomy, and I am well aware<br /> that there are plates in restaurants<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;with designs on the edges, that there<br /> are miracles in the stream bed<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;which make grown men blush,<br /> that there is such a thing as <i>cornflower blue.</i><br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Also, I have these childhood<br /> memories, crucified, esemplastic jellyfish<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;sizzling against light-bulbs, or so<br /> I have called them. Have taken<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;to calling them. Yon blithe<br /> teutonic heritages-skullduggery,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;bonhomie, illegitimate, all-and I promise<br /> to allow these several objects<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;their abhorrent and fetishistic<br /> importance, if it so please you,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;though the spell-checker, whistling<br /> like a bleached seal, has turned<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;my <i>esemplastic</i> into <i>eczema-</i>have<br /> your own sweet way, oh lord!-<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;and 5) I wish I had a plywood<br /> cut-out of your body in the giant<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;mouse suit-minus the head-so I<br /> could pose behind it, get my picture<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;taken, put it on the book-jacket.<br /> You made the amusement park<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;taste like peaches. I ll never be able<br /> to trust you with the roller coaster now.<br /> </p> <p class="poem"> <b>Zombie Sunday</b><br /> <br /> Gentle handed holy father, or whomever,<br /> tonight I only sent one invitation, so am relieved<br /> <br /> when I arrive, bulling in post-verbal<br /> off the crowded street, no more bowing down<br /> <br /> before the goblin-lidded traffic lights,<br /> my brain exploding like a pheasant<br /> <br /> from my head at last, bursting harried<br /> from the tree-line at your foot-fall<br /> <br /> and whirring through the air, disconnected<br /> from the messages you have left<br /> <br /> for it on earth, game-bird, the bar food shiny, the rail tequila<br /> aquavivid napthalene, and here<br /> <br /> you are again, you're following me,<br /> once that blind balloon man<br /> <br /> who slipped a naugahyde bible<br /> in my pocket as I slunk past,<br /> <br /> once that heartless bartender<br /> who gave my drink to another man,<br /> <br /> but this time a woman, cast<br /> in your weekend image, her reflection cast<br /> <br /> off the bar mirror, my skull a cast<br /> and it itches underneath, if I could just<br /> <br /> slip the chopsticks right inside and scratch,<br /> fetch the haywire nodal cabbage out<br /> <br /> and snap it like a wrinkled towel<br /> and fold it into something intricate,<br /> <br /> an origami terry cloth crane, a crispy lotus<br /> unperturbed, then might I gather up the strength<br /> <br /> to tell you what I really think, which is a sentence<br /> that starts convincingly with Stitch<br /> <br /> and ends up lost in Tuscaloosa, land<br /> of subject, where all used sentences come<br /> <br /> to drown each other out, and Night will have its porterhouse<br /> schadenfreude rare, so drink quick baby,<br /> <br /> they don t serve your kind in here,<br /> big G gods with their superstructures<br /> <br /> all carefree and ballistic, your hair adagio<br /> (you are so small-you are a teleology),<br /> <br /> and lo your mattress, true, the gamesome horse<br /> which pulls this sentence through the park, O park,<br /> <br /> O little GHHF-your mattress<br /> tres fascistic-palomino-something-charger-<br /> <br /> you are a need and nothing other, a guilty<br /> midnight yearning for the reverse<br /> <br /> cow-girl, the morning cigarette<br /> lit wrong-ways at the filter, the illiterate<br /> <br /> tumblerful of scotch a crystal kindergarten<br /> in your continental hand,<br /> <br /> and in this bar your face, her face,<br /> the same face-get me?-and that same face<br /> <br /> the face which is the club that drove<br /> this sentence to the green, O green,<br /> <br /> O in the shadow of such a face<br /> in such a bar on such a night the days<br /> <br /> live briefly, like houseflies, like those good ideas<br /> you sent which slip away, in turn, like days<br /> <br /> if I don t write them down, your face, her face, the negotiable<br /> flame retardant mask the kids all want<br /> <br /> for Halloween, and your hand, too,<br /> the means to diagram the declarative<br /> <br /> sentence of my death, no assembly required<br /> and likewise all the rage this year.<br /> </p> <p class="poem"> <b>Zombie Sunday</b><br /> <br /> Gentle handed holy father, or whomever,<br /> they broke the mold before they made you<br /> except on second thought you weren t<br /> <br /> made at all, they had to drill for you, they had to pry<br /> your fossil from the jealous rock,<br /> they want to carbon date you, to take you<br /> <br /> for a spin, to hold your hand<br /> and close their eyes when you lean in<br /> because they love you, oh they love you, your hillbilly<br /> <br /> swagger on the mound, the unexpected<br /> side-arm wind-up, your teeth soughing<br /> sweetly in your mouth, an albino<br /> <br /> field of wheat, and you tried to put the <i>I</i><br /> in <i>team</i>, you tried the first prayer<br /> out of the drawer of prayers, behind<br /> <br /> the socks, back corner, next to the lubricant, oh you tried<br /> your best with me, but forgot to flesh<br /> me out, and for that last important bit<br /> <br /> of skin, I would stand up on my hind legs,<br /> suddenly evolved, gorgeous as your<br /> barbered trees in winter, epiphanic<br /> <br /> as a motherfucker, and I would eat<br /> a cross of brick, I have filled your pillowcase with bees<br /> <br /> so I can sterilize my mouth with gin<br /> and suck the stingers from your neck,<br /> for I am the loathsome chalk artist<br /> <br /> reluctantly commissioned with the side-walk<br /> outline of your body, and you re the comeback<br /> second-stringer, the player-to-be-named-later,<br /> <br /> the first-person-omniscient who plagiarized<br /> the <i>Autobiography of the World</i> and called out dibs<br /> on the future flower box my skull.<br /> </p> <p class="poem"> <b>Zombie Sunday</b><br /> Gentle handed holy father, or whomever,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;the stars swing in like buccaneers<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;through the windows, and they are<br /> beautiful, and they are yours, of course,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;ditto cherry tree, and wildebeest <br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;how many times must you remind me? <br /> and I am searching, now, for the French phrase<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;for <i>albino field of wheat. O mon pere</i> etc<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i>doux ouvrier sacre</i>, your white teeth<br /> are learnéd. They read much of the night,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;they go South in winter, they ripple loosely<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;along the pale gum-line like those spirits<br /> on the haunted shore, which have elsewhere<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;been compared to leaves, but are really<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;more akin to grease, also rippling<br /> loosely. Oh asphodel! that something<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;flower. Oh but we should be able<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;to walk said shore and name the genus<br /> and the species. O GHHF, your coffee beans<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;meant nothing. They kept me on the phone<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;all night. I am a burnt arrow now, loosed<br /> from the Anglo Saxon bow your body.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;You dream like a battleship turns.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Your two hands blooming folded,<br /> from a black vase, was an image<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I thought up, once, to help me get to sleep.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Oh but the sleep I lost, considering your sleep.<br /> And I am mostly sure that loss is French<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;(le terror-dome) and will follow me<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;as far as Pittsburgh, human sacrifice or no, but I know<br /> for sure that loss transforms the delta, and is also how<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;you change your mind. Even now<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;the Mississippi bend to your fuzzy will<br /> and carves toward Jerusalem. I am the paraclete of loss<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;in the House of Catalepsis. I am bald<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;as the wind. Or was it lorikeet, like Matthew said?<br /> Matthew, patron saint of the poult-footed and the rain.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Oh GHHF, you should read him, you might<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;learn a thing or two about yourself.<br /> Thirty shekels is a lot of jack, anyhow.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And I have failed your comprehensive tests before, oh lord.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I am searching, now, for the French phrase<br /> for <i>lorikeet of loss</i>, scaly breasted and/<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;or blue-fronted rainbow, <i>Trichoglossus chlorepidotus</i><br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;and <i>Charmosyna toxopei</i>, respectively.<br /> I pilot the cuttlefish and tree the seeds.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I will burn the very Latin from the world.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I weep for every cheating drink<br /> I have forgotten, that hooligan wine<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;in Cerbere, for example, who loved the carpet<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;so well, so much more than it loved me,<br /> and I am circling over this your every sentence<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;as you drive it, looking for the loophole,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;but you will evade me in the driveway<br /> you will leave me for the rumored<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;carpet, you will ditch me cold forever<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;on the airless, sunspot runway where our bodies<br /> made more sense. They called me<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;the hyacinth girl. The ocean was my stepsister,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;pregnant with a style of fish you dreamed<br /> last autumn, but in any language, I am Isadora,<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;zombie queen of the Appalachians.<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I knelt beside you yesterday.<br /> I bet you prayed for rain.<br /> </p> </td> </tr> <tr> <td> <img src="images/page_bottom.gif" /><br /> </td> </tr> </table> </body> </html>